Rough Water
Benjie Howard (a gce boatman) once told me that his life
was about finding and living in the sweet spots. I’ve heard things
like that from a lot of people but the cool thing about Benjie is that
he really does—more than anybody I’ve ever known. His life
and music defines the sweet spot. Listening to it leaves you with a sweet
feeling like nailing your line on a tough rapid.
Benjie’s new cd, Rough Water is an amazing collection of home-grown
stories told in a most authentic, genuine, and artistic way. “None
of them are fiction, I’m just telling the story of my life.”
Even though many of the songs are not necessarily about running river,
they are songs that are close to the hearts of the people that we hang
out with. They define part of our collective river running culture.
He says that he never actually learned how to play the guitar, which is
of course news to all of us who have been privileged to hear him play.
“When I began running river I only had two songs.” Rough Water
is his second release. Benjie’s collection of songs mirrors his
river running experiences. His boating and music have literally grown
up together. Maybe that’s why his picking and vocals feel and sound
so much like the river.
In addition to playing guitar and performing the vocals on the cd, Benjie
also wrote all of the songs, with the exception of the title track. The
song “Rough Water” was originally a poem written by Gary Howard,
Benjie’s father, as a gift to his boatman son. Adam Boesel later
set it to music. “There was never any doubt that ‘Rough Water’
would be the Title track, it just fit.” The cd is also the first
effort of Benjie’s production company, Black Tail Records. Producing
was a totally new experience for him. “Taking songs from the campfire
to the studio is a lot more complicated than you would think. It was a
good time.”
In his acknowledgments and dedication, Benjie says that Rough Water is
“…to all the folks who work down in the ditch and who still
believe in romance… and to all the pickers and paddlers on their
way to the put-in.” Well that would be us folks. This one is of
and from our river family. Give it a try, you will not be disappointed.
You can order Rough Water by sending eighteen bucks to Blacktail Records,
P.O. Box 70853, Seattle, wa. 98103. Make sure you include your address
so they know where to send the goods. Two of those bucks will be donated
to Cascadia Exploration Company’s “Kayakers for Clean Creeks”
project. Phone, 206-909-7917. Email: blacktailrecords@earthlink.net.
Roger Patterson
More Book News
Grand Canyon river guides know better than most the amazing
geologic stories this place has to tell. And though the Canyon is an open
book of geology, the state of Arizona offers up a host of other places
that are also steeped in fascinating geologic tales.
If the Canyon has whet your appetite, then you’ll want to get Ivo
Lucchitta’s book, Hiking Arizona’s Geology, stuff it in your
pack in the off season, and go exploring.
Lucchitta, a retired geologist with the U.S. Geological Survey in Flagstaff,
has walked untold miles in the state and produced this compilation of
41 hikes, covering all of Arizona’s major geologic provinces: canyons,
mesas, and volcanic fields of the Colorado Plateau; peaks and creeks of
the central Transition Zone; and calderas and washes of the Basin and
Range. Many of his destinations are in lesser-trod areas—the Coliseum
Diatreme, Centennial Wash, Parson’s Trail, and Monte Vista Lookout—adding
to their appeal.
As any true field geologist will do, Lucchitta puts our noses “on
the outcrops,” looking closely for fossils and garnets, faults and
folds, sandstones and redbeds. Though a top-notch scientist, Lucchitta
delights in sharing what he knows with non-geologists. He skillfully connects
otherwise disjointed snips of information into an overall appreciation
of process, the real story of geology.
Each hike is prefaced with brief information on distance, elevation change,
degree of difficulty, and desirable maps. With this book, you’ll
want to go out and hear what the rocks have to say.
Hiking Arizona’s Geology is available for $16.95 in paperback at
local Flagstaff bookstores, through Amazon.com and through the Mountaineers
in Seattle at www.mountaineersbooks.org.
Rose Houk
Calling All Georgie Stories
Many years have past since Georgie handed over her leopard
print flag for me to fly in her honor in hopes of keeping her spirit
alive in Grand Canyon. It has been an honor to fly it on my motor rig
and to have it draped on my row rig for every trip since her passing.
My trips have been full of Georgie stories of my own and occasionally
someone would tell me of a story they had.
It has come to me as I start to write my own experiences down that we
need to gather up as many stories about Georgie as we can and it is
my hope to include them in my book about the personal relationship and
experiences that I had with Georgie. I hope to include a chapter or
two of the many stories that I receive.
It is like everything else in the written word of Grand Canyon river
experience. Many of the legends and story tellers are moving on and
if we don’t capture these stories they will be lost. I feel personally
responsible for many things regarding Georgie—mostly because of
the relationship that we shared and for the continuing personal obligation
that I need to tell our story and hers on a more personal level.
In gathering these stories I hope to have that opportunity in sharing
many aspects of Georgie. I have heard so many great stories of encounters
and witnessing her that I only wish I could remember the specifics.,
I have many of my own I can only imagine what is out there over so many
years.
The stories you send in will be read and possibly published in a portion
of my book. If so, I will contact you. They can be funny, sad, or just
plain “Georgie” stories as we know her and experienced her—only
as she could be.
So, I am asking for anyone who would like to join me in bringing as
many stories together about her. They can be short or long—no
limits—and you can submit as many as you would like.
You can email them to riogeorgie92@aol.com or send the snail mail to:
Teresa Yates Matheson
2270 E. Hubbard Ave.
Salt Lake City, ut 84108
Thank you for your time and I hope to hear from you. See you on the
river next summer.
Teresa Yates Matheson
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Music of Waters
A new cd that celebrates the vast and magnificent landscape
of the Canyon and the Colorado River has arrived called Music of Waters.
Music of Waters features original modal compositions as well as traditional
songs and tunes. It is strongly influenced by the music of the Middle
Ages and the Renaissance as well as by Celtic, Eastern European and other
folk styles. The cd was recorded in the wild and beautiful side canyons
of the Grand Canyon and in the Desert View Watchtower on the South Rim.
Performers on the cd are Shira Kammen (vielle, fiddle, voice, medieval
harp), Peter Maund (hand drums), Danny Carnahan (octave mandolin, voice,
guitar, fiddle), David Morris (viola da gamba, voice), and Cheryl Ann
Fulton (harp).
Music of Waters grew out of several river trips down the Colorado River
through the Grand Canyon—a journey which is an unsurpassable joy
and adventure, an intense challenge and a great privilege. Those trips
have been among the best experiences in my life. The depth and intensity
of that river passage through the Canyon can call on every part of a person—it
speaks to wonder and bliss, fear and harshness, miniscule soft and grand
beauty; it calls on hardiness and flexibility, humor and courage, humility,
acceptance, patience and spontaneity with its awesome power and sweet
gentleness—and everywhere there is music.
Contact me at sheenaqoj@earthlink.net if you would like to receive a copy
of Music of Waters. Two dollars of every cd sold through the bqr will
be donated to gcrg.
Shira Kammen
Who Killed the Grand Canyon Dams?
Byron E. Pearson’s new analysis of the Grand Canyon
dam battles will turn a few heads. In this revisionist account, he points
out in elaborate detail that although the Sierra Club and its allies
created a nationwide furor over the mere thought of damming Grand Canyon,
public opinion then, as now, is often only tenuously connected to political
process. (Witness today’s overwhelming congressional endorsement
of the war on Iraq in spite of huge public trepidation.) In Still the
Wild River Runs: Congress, the Sierra Club, and the fight to save Grand
Canyon, Pearson details the intricate moves of congressmen, senators,
water and power moguls, and Stewart Udall, the zealous Secretary of
the Interior, as they tried to push a gargantuan version of the Central
Arizona Project through congress. The bill included not only the Grand
Canyon dams (a high dam at Bridge Canyon, backing a reservoir into Grand
Canyon as far as Deer Creek, and the Marble Canyon Dam, which would
have made Lees Ferry a marina), but hints of diverting a portion of
the Columbia River to Arizona to quench the insatiable Southwest.
In 1965 and 1966, as Arizona struggled to gain the support of Colorado,
California, and the Pacific Northwest to push through the Pacific Southwest
Water Plan, the Sierra Club and other organizations waged a national
public relations war, culminating in David Brower’s famous newspaper
ads: “Should we also flood the Sistine Chapel so tourists can
get nearer the ceiling?” The Internal Revenue Service promptly
pulled the Sierra Club’s tax exempt status, creating an even greater
national uproar and tens of thousands of additional letters to Congress.
But Pearson points out that in spite of this, and in spite of detailed
testimony to Congress showing the utter economic fallacy of the dams,
Udall and the Arizona delegation pushed merrily ahead. When the bill
went to Congress, Udall was confident of more than enough votes to pass
the bill. It was months later that the bill died in the rules committee
of the House, killed by political intrigue from one Northcutt Ely, a
California water strategist, who simply did not want Arizona to claim
its share of water—a share that California had long been helping
itself to.
In the following two years, Udall and senior Arizona Senator Carl Hayden,
then in his 48th and final year in the Senate, realized they would both
be out of power soon, and rushed through a more pragmatic, scaled-back,
damless Central Arizona Project. Whether the pragmatism of removing
the dams was in any way influenced by public opinion is unclear. Pearson
says no. Yet the public awarded full honors for the defeat to the Sierra
Club, launching it to the forefront of environmental activist groups
of the day.
Just what would have happened had Ely not suffocated the original bill
is unclear. Senator John Saylor of Pennsylvania, the bill’s most
vocal adversary in the House, had agreed to a bill including a low Bridge
Canyon Dam. Hayden was confident of passing it in the Senate. But Lyndon
Johnson would still have to have signed it, and Ladybird, whose preservationist
confidant Sharon Francis was very anti-dam, may well have talked him
out of it. We’ll never know.
It is a complex and disheartening tale. It shows in baffling detail
how public opinion is ignored, even scorned, by the dealmakers and power
brokers that run the government. It’s all about pork and backscratching,
committees and seniority. Thankfully, many laws have passed since that
time to give the public and conservation organizations some, if only
a tiny bit, more leverage with the lawmakers. (Laws the current regime
is bent on repealing.)
Warning: don’t read this when you are tired or distracted. The
words are big, the sentences long, and the plot insanely complex.
Brad Dimock
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